New York
Die Liste enthält 10 Einträge. Suchergebnisse löschen und Gesamtbestand anzeigen.
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Davidson, Bruce. Central Park. Preface by Elizabeth Barlow Rogers. Commentary by Marie Winn. New York, Aperture (1995). Quer-4°. [121] S. mit 92 teils doppelblattgr. Duotone Tafeln. OHln. mit illustr. OU.
Koetzle 104 f. – Erste Ausgabe. – Schutzumschlag am Vorderdeckel mit kl. Knickspur, gutes Exemplar. Schlagwörter: Central Park, New York, Portrait photography |
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Davidson, Bruce. Central Park. Preface by Elizabeth Barlow Rogers. Commentary by Marie Winn. New York, Aperture (1995). Quer-4°. [121] S. mit 92 teils doppelblattgr. Duotone Tafeln. OHln. mit illustr. OU.
Koetzle 104 f. – Erste Ausgabe. – Mit eigenhändiger Widmung von B. Davidson „To Claude Bruce Davidson 1995“. – „Working in New York City’s Central Park over four years, Bruce Davidson made images of the vibrant life and activities that take place in the well-loved green space. The Magnum photographer and New York resident captured youthful play, rendezvous-ing couples, and citydwellers at rest in the park. He also became acquainted with a variety of eccentric characters – his reflections of meeting these individuals, taken from his book Central Park, are republished below. His notes are prefaced by a text by Elizabeth Barlow Rogers on the richness of Davidson’s work made in the famed space. Elizabeth Barlow Rogers is a landscape designer, preservationist and writer, founder of the Central Park Conservancy, and President of the Foundation for Landscape Studies.“ (Magnumphotos). – Sehr gutes Exemplar. – Inscribed by B. Davidson, fine. Schlagwörter: Central Park, New York, Portrait photography, Signierte Bücher, Widmungsexemplar |
320,-- | |
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Marcus, Caleb Cain. The silent aftermath of space. Photographs. Foreword Robert Frank. Bologna, Damiani (2010). Quer-Gr.-4° (34 x 42 cm.). [48] S. mit 20 Duotone Tafeln. OLn. mit illustr. OU.
Erste Ausgabe. – „There is silence in Bronx and Brooklyn. Caleb, photographer, walks these streets photographing the light of night. His view shows a quit resignation and jubilation for being an artist and alone. Have you ever heard the word Alptraum – maybe it is the German idea of Aftermath of Space. Who knows?“ (Robert Frank). – Tadellos. Schlagwörter: New York, Street photography |
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Feininger, Andreas. The Face of New York. The City As It Was and As It Is. Text by Susan E. Lymann. Fourth printing. New York, Crown Publishers (1959). 4°. XII, [164] S. mit zahlr. teils ganzs. und teils doppelblattgr. Abb. OHln. mit illustr. OU. u. zusätzlicher Lederbuchhülle mit goldgepr. Widmung.
Mit signierter kalligraphischer Widmung des New Yorker Bürgermeisters Robert F. Wagner für den Pariser Gerichtspräsidenten Pierre Devraigne „To the Honorable Dr. Pierre Devraigne President of the Municipal Council of Paris. This volume of the history of the City of New York is given as a memento to the esteem and affection which New Yorkers hold for the people of Paris. It is presented in the hope that it will recall pleasant memories of his visit in the years to came. May it serve also to remind him and Mrs. Devraigne that they are ever welcome here. April 14, 1960 Robert F. Wagner, Mayor of the City of New York“. – Der US-amerik. Politiker, Jurist und Diplomat Robert F. Wagner jr. war von 1954 bis 1965 Bürgermeister von New York City. – Die Leder-Buchhülle mit größeren Fehlstellen am Rücken und etwas berieben, Schutzumschlag mit Randläsuren, Vorsätze gebräunt, sonst gut erhalten. – Inscribed by Robert F. Wagner for the President of the Municipal Council of Paris Pierre Devraigne. Schlagwörter: New York, Signierte Bücher, Widmungsexemplar |
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Gozu, Masao. New York. Just open it ! (Essays „Quarried ‚Windows‘“ by Kohtaro Iizawa, translated by Lora Sharnoff and „A poetic chronicle of New York“ by Ivan C. Karp. Tokyo, Advertise Communication Co. (1990). Folio (36 x 26 cm.). [1] Bl., 147 Duotone-Tafeln, [7] Bl. OPbd. mit illustr. OU. u. dreifarbig bedruckter Klarsicht-Schutzumschlag.
Vgl. Parr/Badger III, 163 (″In New York“, New York 1980-1990). – Erste Ausgabe. – Von M. Gozu signiert und datiert. – „A fascinating book on a difficult subject: street photography. Shot from about 1970-1980 in Manhattan’s lower East Side. Including an entire series shot of the same door way day after day“ (Verlag). – „In “Windows”, the series Gozu began shooting shortly after moving to Brooklyn in 1971, Gozu photographed the people in New York’s immigrant quarters as they looked out of their apartment windows at a passing parade. The two other series included in the book are also portrayals of life in downtown 1970’s New York: in “264 Bowery Street” Gozu repeatedly shot a doorstep and the people using it as a resting stop over several months and even years while the “Harry’s Bar” series shows glass windows of a bar and the guests sitting behind them“ (zu einer Ausgabe der New York Serie von 2018). – „The project, therefore, is typological in character, the window frames forming the proscenium arch where the action takes place, a ‚frame within the frame‘ of the picture edge. Yet, although Gozu’s pictures are formal and repetive, they hold a certain fascination, because of one unpredictable element: the people gazing out of the windows. The theatre of life of which they contribute makes this not just a conceptual artist’s book, but a work of conceptual documentary“ (Parr/Badger). – Der japanische Fotograf und Bildhauer M. Gozu (geb. 1946) studierte 1970 bis 1973 am Toyo Institute of Art and Design und an der Brooklyn Museum Art School. Seine erste „Windows“-Serie wurde 1980 bei O. K. Harris in New York ausgestellt. Während er für seine Portraits meist Fenster als Rahmen wählt, geht er mit seinen Skulpturen einen Schritt weiter und macht diese selbst zum Thema. Außerdem rekonstruiert er seit 1984 auch Fenster historischer Gebäude. – Klarsicht-Schutzumschlag am Kapital etwas eingerissen, sehr gutes Exemplar. Schlagwörter: New York, Portrait photography, Portraitphotographie, Porträtfotografie, Porträtphotographie, Signierte Bücher, Street photography |
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Klein, William New York. Life is good for you and good in New York Trance witness Reveals: Trance Witness Revels. London, Photography Magazine (1956). 4°. 192 S. mit 188 Abb. auf Tafeln u. Beiheft (Booklet), 16 S. (″Delay may be serious now free…“). OLn. mit farbig illustr. OU. (Album Petite Planète, Vol. 1).
Auer 365. The Open Book 165 f. Parr/Badger I, 243. Roth, The Book of 801 Books 140 ff. – Erste Ausgabe in England (″Imprimé en Suisse“). Der erste Druck der ersten Ausgabe erschien bei Editions du Seul in Paris. – Mit eigenhändiger Widmung von W. Klein „To Paul & his sister Bailly / Happy New York, William Klein“. – „By virtue of its preface, written by Jack Kerouac, Robert Frank’s The Americans is usually regarded as the epitome of the Beat photobook. But William Klein’s magnum opus, Life is good for you and good in New York Trance witness Reveals: Trance Witness Revels, a book with Beat mantra for a title, surely has the edge in this regard. This is partly because it was the earlier model, partly because it is less political and more exuberant, and impotantly, because its conception is so complete – photographs, layout, design, topography, ‚found‘ ephemera coalescing into what is in effect one of the first great ‚Pop‘ books. … Klein’s masterpiece reminds us that much great, serious art is often about play, archieved simply by experimenting with the possibilities of the material. Forget trance and witness – the revels are the thing“ (Parr/Badger). – „With no interest from American publishers, Klein went back to Paris and set to work on a graphic design that was as aggressive and idiosyncratic as its photos. „I saw the book as a tabloid gone berserk, gross, over-inked, brutal layout, bull-horn headlines,“ he wrote in its radically revised 1995 edition. „This is what New York deserved and would get.“ Published in France, Italy, and England, but not in America, Life is good for you and good in New York was a sensation“ (A. Roth). – Schutzumschlag am Kapital mit unauffällig restaurierter Fehlstelle, sehr gutes Exemplar. Schlagwörter: New York, Signierte Bücher, Widmungsexemplar |
3.500,-- | |
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George, Alice Rose, Gilles Peress, Michael Shulan and Charles Traub. Here is New York. A democracy of photographs. 2. ed. Zürich, Berlin, Ney York, Scalo 2002. Quer-4°. 861 S. mit zahlr. teils farb. Abb. OPbd. in farbig illustr. Orig.-Pappschuber.
The Here Is New York exhibition has been featured in all of the major New York newspapers and by many local and national television networks, including CBS, PBS, NBC, ABC, CNN, and National Geographic, Oprah Winfrey, Rosie O’Donnell, Dateline, and 60 Minutes . International press from the following countries have covered the exhibition: the United Kingdom, Australia, Brazil, Canada, Germany, The Netherlands, and Japan. The book Here is New York will receive extensive press coverage as well“ (Verlagswerbung). – Tadellos. Schlagwörter: New York |
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Probst Solomon, Barbara. Smart hearts in the city. New York, London, Harcourt Brace Jovanovich (1992). 8°. 337 S. OHln. mit farbig illustr. OHln.
Erste Ausgabe. – Von Barbara Probst Solomon auf dem Vortitel signiert. – „Solomon’s insider book at the working of an irresistable city over the past four decades of change and transformations is dazzling, roboustly comic, and brilliantly knowing about the ways of people and society“ (Klappentext). – Sehr gutes Exemplar. Schlagwörter: New York, Signierte Bücher |
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March, Reginald (1898-1954). Skyline from Pier 10, Brooklyn, New York. Orig.-Radierung. Im rechten unteren Rand mit Bleistift signiert, und links num. „# 12“. In der Platte nochmals signiert u. datiert „1931“. New York 1931. Plattengr.: 30 x 16 cm. Unter Passepartout (38 x 21,5 cm) montiert.
Sasowsky 129. – Erster Zustand (von 4). – R. Marsh gilt als einer der bedeutendsten amerikanischen Vertreter der Neuen Sachlichkeit; seine wichtigsten Schüler waren Roy Lichtenstein (1923-1997), Harold B. Cousins (1916-1992) und George Clair Tooker, Jr. (1920-2011). Marsh ist besonders bekannt für seine Gemälde, Aquarelle und Radierungen von New York und Coney Island der 1930er und 1940er Jahre. Schlagwörter: Graphik, New York, Original-Graphik, Radierung, Signierte Künstler-Graphik, USA |
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| Balsley, Thomas. The urban landscape. (Foreword by Herbert Muschamp). Berkeley, Spacemaker Press (2000). 4°. 84 S. mit zahlr. farb. Abb. OKart. (Landmarks (Washington, D.C.), Band 11).
Sehr gutes Exemplar. Schlagwörter: Designs and plans, New York, New York (State), Parks, Public spaces, Urban landscape architecture |
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