New York
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Burri, René. Blackout New York. 9. November 1965. (Essai by) Hans-Michael Koetzle. München, (Horst) Moser 2009. Folio (33,5 x 24 cm.). [39] Bl.mit 37 meist doppelblattgr. Duotone-Tafeln und Beilage (12 S., französische Übersetzung). Farbig illustr. Orig.-Pappband.
Koetzle, Fotografen A-Z 58 f. – Erste Ausgabe. – „Stromaus in New York. Eine Nacht lang verfolgt Burri, mit acht Kleinbildfilmen, die Ereignisse. Ohne Blitz. Nur mit dem sparsam vorhandenen Licht. Burris Bildserie ist keine Reportage im herkömmlichen Sinn. Eher eine Meditation über das Licht bzw. dessen Abwesenheit. – Blackout in New York. For one night, Burri follows the events, with eight rolls of 35mm film. Without a flash. Using only the scarcely available light. Burri’s photo series is not a report in the traditional sense. More a meditation on light, or rather the lack of it.“ (H. Moser). – Neuwertiges Exemplar. Schlagwörter: New York, Street photography |
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Davidson, Bruce. East 100th Street. (Foreword by Mildred Feliciano). Los Angeles, St. Ann’s Press (2003). Gr.-4° (31,5 x 29 cm.). 165 S. mit 143 Duotone-Tafeln. Orig.-Leinenband mit Deckelbild und Klarsicht-Schutzumschlag.
Vgl. Auer 516. Koetzle, Fotografen A-Z 88. Parr/Badger II, 18. Roth, The Book of 101 Books 196 f. Roth, The Open Book 260 f. (alle erste Ausgabe, Cambridge, Mass. 1970). – Schön ausgestattete um 25 Fotos erweiterte und mit 3000 Exemplaren limitierte Neuausgabe. – Von Bruce Davidson signiert. – „In 1970, when Bruce Davidson published his first book, East 100th Street, he was well established as a Magnum photographer with a number of important photo essays to his credit. Perhaps the most memorable was the grainy, cinematic record of the time he spent hanging out with a Brooklyn teen gang called the Jokers, published in Esquire in 1960. „I never felt a separation between myself and what I was photographing because I was really down to the feeling,“ he wrote about the Jokers project, begun when he was just 24, „I just never felt apart. With the gang. I was in the same mood as they where.“ Having spent some of the intervening years photographing the civil rights movement, he approached the East 100th street work with a similar sympathy and dedication, but with an even more pronounced sense of resposibility to his subjects. Davidson returned to this basted strech of East Harlem regularly for nearly two years (always bringing prints for the people he photographede) until he and his bulky view camera began to be a part of the block’s daily life. If the camera on its tripod established a certain pictorial formality, it also opened a new vistas“ (Vince Aletti in Roth). – Der Klarsicht-Schutzumschlag am Fuß gerinfügig eingerissen, sehr gutes Exemplar. Schlagwörter: New York, Street photography |
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Klein, William New York. Life is good for you and good in New York Trance witness Reveals: Trance Witness Revels. Paris, Éditions du Seuil (1956). 4°. 192 p. with 188 Pictures on plates and Booklet (16 p., „Delay may be serious now free…“). Original cloth binding with color illustrated dust jacket. (Album Petite Planète, Vol. 1).
Auer 365. The Open Book 165 f. Parr/Badger I, 243. Roth, The Book of 801 Books 140 ff. – First printing of the first edition. – Boldly dedicated and signed by W. Klein to Belgian photographer Gerald Dauphin „To Gerald, / HAPPY NEW / YORK!* / William Klein / *YORK″. – „By virtue of its preface, written by Jack Kerouac, Robert Frank’s The Americans is usually regarded as the epitome of the Beat photobook. But William Klein’s magnum opus, Life is good for you and good in New York Trance witness Reveals: Trance Witness Revels, a book with Beat mantra for a title, surely has the edge in this regard. This is partly because it was the earlier model, partly because it is less political and more exuberant, and impotantly, because its conception is so complete – photographs, layout, design, topography, ‚found‘ ephemera coalescing into what is in effect one of the first great ‚Pop‘ books. … Klein’s masterpiece reminds us that much great, serious art is often about play, archieved simply by experimenting with the possibilities of the material. Forget trance and witness – the revels are the thing“ (Parr/Badger). – „With no interest from American publishers, Klein went back to Paris and set to work on a graphic design that was as aggressive and idiosyncratic as its photos. „I saw the book as a tabloid gone berserk, gross, over-inked, brutal layout, bull-horn headlines,“ he wrote in its radically revised 1995 edition. „This is what New York deserved and would get.“ Published in France, Italy, and England, but not in America, Life is good for you and good in New York was a sensation“ (A. Roth). – Dust jacket with inconspicuous restored loss at the spine, very good copy. Schlagwörter: New York, Pop-Kultur, Signed books, Signierte Bücher, Widmungsexemplar |
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Abbott, Berenice. Volume I. Portraits, the American scene, science. – Volume II. New York. (Foreword by Ron Kurtz). 2 Bände. Göttingen, Steidl (2008). Gr.-4° (32 x 34 cm.). 263, (1) S.; 315, (1) S. mit über 300 Duotone-Tafeln. Orig.-Leinenbände mit Deckelbildern in Pappschuber.
Koetzle, Fotografen A-Z 7. – „Berenice Abbott is one of the most significant figures in photography and her accomplishments in the field were more wide ranging than any of her contemporaries. Berenice Abbott not only offers a comprehensive retrospective of her complete oeuvre, encompassing all the primary projects she undertook in her 60 year career, but also presents this work in context with her other accomplishments: inventor, author, teacher and photo historian. This two volume book is the definitive publication on the life and work of one of the masters of the photographic medium. Volume I contains Abbott’s portraits beginning in Paris in the 1920s. They include many of the most notable and influential writers, artists, politicians and personalities of the day. Less known aspects of her work are also well represented, such as her images of the American Scene including her ground breaking US Route 1 project and her Portrait of Maine in the 1960s. Also in Volume I is Abbott’s final major undertaking considered by many to be her crowning achievement – documenting science. It consumed her from 1939 to1961, culminating with three triumphant years at the Massachusetts Institute of Technology, producing work of astounding beauty and clarity for the Physical Science Study Committee. Volume II is devoted to her photographs of New York. The monumental project Changing New York documenting the physical and social changes of the city in the 1930s is supplemented by her photographs prior to and after that work as well as those of Greenwich Village in 1947/1948.“ (Steidl). – Sehr gutes Exemplar. Schlagwörter: Catalogue raisonné, Catalogues raisonnés, New York, Portrait photography, Portraitphotographie, Porträtfotografie, Porträtphotographie, USA, Werkverzeichnis, Werkverzeichnisse |
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Davidson, Bruce. Central Park. Preface by Elizabeth Barlow Rogers. Commentary by Marie Winn. New York, Aperture (1995). Quer-4°. [121] S. mit 92 teils doppelblattgr. Duotone Tafeln. OHln. mit illustr. OU.
Koetzle 104 f. – Erste Ausgabe. – Mit eigenhändiger Widmung von B. Davidson „To Claude Bruce Davidson 1995“. – „Working in New York City’s Central Park over four years, Bruce Davidson made images of the vibrant life and activities that take place in the well-loved green space. The Magnum photographer and New York resident captured youthful play, rendezvous-ing couples, and citydwellers at rest in the park. He also became acquainted with a variety of eccentric characters – his reflections of meeting these individuals, taken from his book Central Park, are republished below. His notes are prefaced by a text by Elizabeth Barlow Rogers on the richness of Davidson’s work made in the famed space. Elizabeth Barlow Rogers is a landscape designer, preservationist and writer, founder of the Central Park Conservancy, and President of the Foundation for Landscape Studies.“ (Magnumphotos). – Sehr gutes Exemplar. – Inscribed by B. Davidson, fine. Schlagwörter: Central Park, New York, Portrait photography, Signierte Bücher, Widmungsexemplar |
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Marcus, Caleb Cain. The silent aftermath of space. Photographs. Foreword Robert Frank. Bologna, Damiani (2010). Quer-Gr.-4° (34 x 42 cm.). [48] S. mit 20 Duotone Tafeln. OLn. mit illustr. OU.
Erste Ausgabe. – „There is silence in Bronx and Brooklyn. Caleb, photographer, walks these streets photographing the light of night. His view shows a quit resignation and jubilation for being an artist and alone. Have you ever heard the word Alptraum – maybe it is the German idea of Aftermath of Space. Who knows?“ (Robert Frank). – Tadellos. Schlagwörter: New York, Street photography |
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Gozu, Masao. New York. Just open it ! (Essays „Quarried ‚Windows‘“ by Kohtaro Iizawa, translated by Lora Sharnoff and „A poetic chronicle of New York“ by Ivan C. Karp. Tokyo, Advertise Communication Co. (1990). Folio (36 x 26 cm.). [1] Bl., 147 Duotone-Tafeln, [7] Bl. Orig.-Pappband mit illustr. Schutzumschlag und dreifarbig bedruckter Klarsicht-Schutzumschlag.
Vgl. Parr/Badger III, 163 (″In New York“, New York 1980-1990). – Erste Ausgabe. – Von M. Gozu signiert und datiert. – „A fascinating book on a difficult subject: street photography. Shot from about 1970-1980 in Manhattan’s lower East Side. Including an entire series shot of the same door way day after day“ (Verlag). – „In “Windows”, the series Gozu began shooting shortly after moving to Brooklyn in 1971, Gozu photographed the people in New York’s immigrant quarters as they looked out of their apartment windows at a passing parade. The two other series included in the book are also portrayals of life in downtown 1970’s New York: in “264 Bowery Street” Gozu repeatedly shot a doorstep and the people using it as a resting stop over several months and even years while the “Harry’s Bar” series shows glass windows of a bar and the guests sitting behind them“ (zu einer Ausgabe der New York Serie von 2018). – „The project, therefore, is typological in character, the window frames forming the proscenium arch where the action takes place, a ‚frame within the frame‘ of the picture edge. Yet, although Gozu’s pictures are formal and repetive, they hold a certain fascination, because of one unpredictable element: the people gazing out of the windows. The theatre of life of which they contribute makes this not just a conceptual artist’s book, but a work of conceptual documentary“ (Parr/Badger). – Der japanische Fotograf und Bildhauer M. Gozu (geb. 1946) studierte 1970 bis 1973 am Toyo Institute of Art and Design und an der Brooklyn Museum Art School. Seine erste „Windows“-Serie wurde 1980 bei O. K. Harris in New York ausgestellt. Während er für seine Portraits meist Fenster als Rahmen wählt, geht er mit seinen Skulpturen einen Schritt weiter und macht diese selbst zum Thema. Außerdem rekonstruiert er seit 1984 auch Fenster historischer Gebäude. – Klarsicht-Schutzumschlag am Kapital etwas eingerissen, sehr gutes Exemplar. – First edition. – Signed and dated by M. Gozu. – The Japanese photographer and sculptor M. Gozu (born 1946) studied at the Toyo Institute of Art and Design and the Brooklyn Museum Art School from 1970 to 1973. His first ‘Windows’ series was exhibited at O. K. Harris in New York in 1980. While he usually chooses windows as frames for his portraits, he goes one step further with his sculptures and makes them the subject himself. He has also been reconstructing the windows of historical buildings since 1984. – Clear protective cover slightly torn at the capital, very good copy. Schlagwörter: New York, Portrait photography, Portraitphotographie, Porträtfotografie, Porträtphotographie, Signierte Bücher, Street photography |
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Klein, William New York. Life is good for you and good in New York Trance witness Reveals: Trance Witness Revels. London, Photography Magazine (1956). 4°. 192 p. with 188 Pictures on plates and Booklet (16 p., „Delay may be serious now free…“). Original cloth binding with color illustrated dust jacket. (Album Petite Planète, Vol. 1).
Auer 365. The Open Book 165 f. Parr/Badger I, 243. Roth, The Book of 801 Books 140 ff. – First edition in England (“Imprimé en Suisse”). The first printing of the first edition was published by Editions du Seul in Paris. – Dedicated and signed by W. Klein “To Paul & his sister Bailly / Happy New York, William Klein”. – „By virtue of its preface, written by Jack Kerouac, Robert Frank’s The Americans is usually regarded as the epitome of the Beat photobook. But William Klein’s magnum opus, Life is good for you and good in New York Trance witness Reveals: Trance Witness Revels, a book with Beat mantra for a title, surely has the edge in this regard. This is partly because it was the earlier model, partly because it is less political and more exuberant, and impotantly, because its conception is so complete – photographs, layout, design, topography, ‚found‘ ephemera coalescing into what is in effect one of the first great ‚Pop‘ books. … Klein’s masterpiece reminds us that much great, serious art is often about play, archieved simply by experimenting with the possibilities of the material. Forget trance and witness – the revels are the thing“ (Parr/Badger). – „With no interest from American publishers, Klein went back to Paris and set to work on a graphic design that was as aggressive and idiosyncratic as its photos. „I saw the book as a tabloid gone berserk, gross, over-inked, brutal layout, bull-horn headlines,“ he wrote in its radically revised 1995 edition. „This is what New York deserved and would get.“ Published in France, Italy, and England, but not in America, Life is good for you and good in New York was a sensation“ (A. Roth). – Dust jacket with inconspicuous restored loss at the spine, very good copy. Schlagwörter: New York, Pop-Kultur, Signed books, Signierte Bücher, Widmungsexemplar |
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George, Alice Rose, Gilles Peress, Michael Shulan and Charles Traub. Here is New York. A democracy of photographs. 2. ed. Zürich, Berlin, Ney York, Scalo 2002. Quer-4°. 861 S. mit zahlr. teils farb. Abb. OPbd. in farbig illustr. Orig.-Pappschuber.
The Here Is New York exhibition has been featured in all of the major New York newspapers and by many local and national television networks, including CBS, PBS, NBC, ABC, CNN, and National Geographic, Oprah Winfrey, Rosie O’Donnell, Dateline, and 60 Minutes . International press from the following countries have covered the exhibition: the United Kingdom, Australia, Brazil, Canada, Germany, The Netherlands, and Japan. The book Here is New York will receive extensive press coverage as well“ (Verlagswerbung). – Tadellos. Schlagwörter: New York |
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Probst Solomon, Barbara. Smart hearts in the city. New York, London, Harcourt Brace Jovanovich (1992). 8°. 337 S. OHln. mit farbig illustr. OHln.
Erste Ausgabe. – Von Barbara Probst Solomon auf dem Vortitel signiert. – „Solomon’s insider book at the working of an irresistable city over the past four decades of change and transformations is dazzling, roboustly comic, and brilliantly knowing about the ways of people and society“ (Klappentext). – Sehr gutes Exemplar. Schlagwörter: New York, Signierte Bücher |
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