Brasilien
Die Liste enthält 4 Einträge. Suchergebnisse löschen und Gesamtbestand anzeigen.
| Abbildung |
Beschreibung Gesamte Buchaufnahme |
Preis EUR |
|
|---|---|---|---|
 |
Scheier, Peter e Stefan Geyerhahn. Brasília vive! (Foreword: John Knox). São Paulo, Livraria Kosmos Editora (1960). Quer-4° (24 x 24 cm.). [3] sheets, 72 duotone-plates, 1 folded sheet. Colourfully illustrated cardboard cover with metal ring binding.
Fernández, The Latin American Photobook 83. – First and only edition. – „In Doorway to Brasilia, Aloísio Magalhães and Eugene Feldman showed projection, construction, the future. Brazil was the country of the future, and Brasilia the future capitol of the country of the future. What were images of the future like? A superfluous question for Peter Scheier, the photographer chosen to demonstrate that the „rehearsal for utopia,’ Brasilia, was fulfilled… the day after its official inauguration. Starting with its very title, Brasília vive! (Brasilia Lives! ) was designed to convince skeptics of Brasilia’s significance through major images, and as few words as possible. A third of the photos show Niemeyer’s palaces finished, and Lucio Costa’s avenues open. As always, the architecture is photogenic, but that is not enough. „If they did a full-length portrait of me in Brasilia, when the photo was developed all you would see is landscape,“ wrote Clarice Lispector. In Brasilia, the architectural landscape is so monumental that people disappear. Peter Scheier dedicated the rest of the images to revealing the life of the new city. … People are more than just a reference to show the scale in an image; through them, the inside looks out and the pulse of life can be perceived. „The craters of the moon are in Brasilia. The beauty of Brasilia is its invisible statues.“ Thus concluded Clarice Lispector’s 1962 article about Brasilia“ (Horacio Fernández). – The metal ring binding in the lower third is missing; otherwise in very good condition. Schlagwörter: Architectural photography, Architecture, Architektur, Architekturfotografie, Architekturphotographie, Brasilia, Brasilien, Brazil |
250,-- |  |
 |
Pradt, (Dominique Dufour) de. Des trois derniers mois de l’Amérique Méridionale et du Brésil, suivis des personnalités et incivilités de la quotidiennne et du journal des débats. (Beigebunden): Ders. Les six derniers mois de l’Amérique et du Brésil. Faisant suite aux ouvrages du meme auteur sur les Colonies. – (Beigebunden): Ders. Pieces rélatives à Saint-Domingue et l’Amérique, mise en ordre. 3 Werke in 1 Band. Paris, F. Bechet 1817 u. 1818. 8°. [2] Bl., 160 S., [1] Bl.; [3] Bl., 267 S.; [2] Bl., 206 S., [1] Bl. Kart. d. Zt. mit Papierrückenschild.
Palau 235.015. Sabin 64906, 64908 u. 64905. Vgl. Borba de Moraes 688. – Erste Ausgaben. – Vom Verleger F. Bechet auf dem Titel verso signiert. – Die Beschreibungen erschienen meist zusammen mit „Des colonies et de la Révolution actuelle de l’Amérique“ (Paris 1817). – D. D. de Pradt (1759-1837), franz. Diplomat und Erzbischof von Mechelen, berichtet hier besonders über die politischen Verhältnisse in Mittelamerika und Brasilien. – Rücken fachgerecht restauriert, St.a.T., stellenweise gebräunt und braunfleckig, sonst gut erhalten. Schlagwörter: America, Americana, Amerika, Brasil, Brasilien, Mittelamerika |
320,-- | |
 |
(Scheier, Peter). Paraná, Brasil (Deckeltitel) O Paraná no seu Centenário (Rückentitel). (Ediçao comemorativa do 1. Entenario do Estado do Paraná). Paraná, Impressora Paranaense 1953. 4°. [79] (statt 80) Bl. mit zahlr. Abb. in Kupfertiefdruck. OKart. mit illustr. OU.
Einzige Ausgabe, sehr selten. – Der in Glogau geborene Fotograf P. Scheier (1908-1979) arbeitete seit 1937 als Fotoreporter in Brasilien (Sao Paulo) und ist besonders für seine Architektur-Aufnahmen bekannt. – Schutzumschlag am Vorderdeckel mit geklebten Einrissen, Titelblatt fehlt, sonst gut erhalten. Schlagwörter: Brasilien |
60,-- | |
 |
Shinoyama, Kishin. Olele Olala. Presented by Kishin Shinoyama. (Tokyo), Shueisha (1971). 4°. [280] S. mit ca. 250 meist farb. Abb. Farbig illustr. Orig.-Kartonumschlag.
Parr/Badger III, 37. Nicht bei Heiting/Ryuichi. – Einzige Ausgabe, selten. – Text in japanisch und englisch. – „Kishin Shinoyama & his mad crew, challenged Brazil, the land of dazzling sex-craze at the other end of the globe!! Here!! the human document of his bitter-comic struggle for 25 days !“ – „If sex sells, then sun, sand and Brazilian beauties in conjunction with sex sells even more. Several Pirelli calendars have been shot in Rio de Janeiro, and it seems a natural destination when product – Hitachi electric shavers – is being marked as ‚sexy‘, and the shooting budget allows it. Kishin Shinoyama is one of Japan’s best-known commercial photographers, probably the country’s most successful commercial photographer, renowned for his celebrity potraits and his female nudes, where he rivals even Nobuyoshi Araki. … His nude work can tend towards the arty-prtentious – shades of Bill Brandt – but in this vibrant company book, where it is doing a straightforward selling job, it shines in its natural setting. Like Immagini per una Industria, this is a fun book, but the photography is rather better than in the Italian volume, anticipating Bruce Weber, David Alan Harvey and other photographers of the Copacabana scene and the Rio Carnival“ (Parr/Badger). – Von leichten Gebrauchs- und Altersspuren abgesehen, gut erhalten. Schlagwörter: Brasilien, Brazil, Carnival, Japan, Photography of the nude, Promotion, Rio de Janeiro, Street photography, Werbung |
300,-- | |
|
Einträge 1–4 von 4
Zurück · Vor
|
|||
| Seite: 1 |